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122
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20May
Mattina Blue is a painter, designer, and educator whose work stands on decades of dedication to photographic and meditative practices. Her interest is in using the special qualities inherent to watercolor (bleeding,...
127
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19May
Our boat’s made from hundreds of toy boats. Our engine’s a goose egg, roiling a tin watering can. The moon’s a rind of mold, sliced from a wheel of black Brie. The...
230
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18May
Interview by Ron Riekki David Foster Wallace lives on in the heart and mind of Tom Bissell. It makes sense that the Wallace biopic, The End of the Tour, had shooting locations...
784
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17May
Bubbles rise like weightless worlds, each one a shimmering rainbow. It’s February in Northern California and my mom’s backyard is full of quiet drifters: papery seed pods, cherry blossoms, dandelion fluff. In...
179
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15May
Sleep’s not what it used to be. So rise, ...................move through the rooms with soft steps, stoke the embers, shun the mirror’s ...................shadows, lay for light. .........Evoking that white hour across the...
114
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12May
EXT. OCEAN – MORNING Water. Just Water. Nothing else. Flat, static, unruffled. Then, suddenly, a YOUNG MAN emerges from the deep. He breaks the surface, gasping for air. Clawing for stability. Panicked....
220
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11May
Interview by Nathan Leslie Laura Lee Smith has written two novels—Heart of Palm (2013) and The Ice House (Dec. 2017). I discovered her work through her story, “Unsafe at Any Speed,” which...
136
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09May
Eddie stomped down to the fishing hole. The path used to be a place of beauty, but not any longer. Now, that beauty had faded into normalcy. The wind kicked up and...
499
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08May
the trick is to be still so long the hand absorbs its shadow . and blink only in threes on odd seconds ............counted loud ............like the names of dead relatives . and...
192
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30Apr
Kristina Gehrmann is a freelance illustrator from Hamburg, Germany, with a focus on figurative and historical art, working mostly in Photoshop with a Wacom Intuos tablet. Born in 1989 with a pencil...
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